Great suggestion, I will write a post some time next week dealing with post production of low light concert photography. In the meantime the best suggestion I can offer is to position yourself if possible so the performer is blocking most of the light. This way, hopefully a red spotlight is shining isn’t shining directly in the lens.

Thanks for the comment and the suggestion plus the submission for The Music Matters Project.

Seriously though, any editing tricks to deal with red spotlights would be good. These are the bain of my life at the moment.

In fact, any post processing tips would be a good addition for us togs that are still grovelling around in poorly lit dives.

You’ve covered the ‘before’ and ‘during’…how about some ‘after’?